at the train station, outside of Paris. After a fitting with a woman who has worked with lots of great houses, but most important for her were the years she worked with Patrick Kelly.
She makes really beautiful muslins, and remembers the 80s as the golden years.
she tells me stories, we look at three muslins, and four hours later I am back here at the train station. I did not notice how beautiful it was when I first arrived. I think I was distracted looking at my phone. Or maybe the light wasn't just right.
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